I’ve heard many people in the past tell me that they’ve never been able to sing or just haven’t got the voice for it. The fact is, unless you have certain health issues or problems with your throat which make [...]]]> It’s a common myth that some people can sing and others can’t.

I’ve heard many people in the past tell me that they’ve never been able to sing or just haven’t got the voice for it. The fact is, unless you have certain health issues or problems with your throat which make it impossible to do so,  just about anybody can sing  as most of us are born with the tools we need to to the job.

The difference between those who can sing and those who can’t is merely those who can devote large portions of their lives to practicing, developing and taking care of their voice, and those who can’t – do not.

Before I decided to become a singer, I had a terrible voice and couldn’t sing for Adam. When I started putting the time and effort in and made it my goal to add vocals to my guitar skills, my voice improved and after a few months of practicing, it developed into something I could happily project in front of a live audience and actually get a good response.

But unless you take care of your voice, treat your vocal chords well and keep practicing regularly, things  just don’t stay that way. Just like going down the gym, as soon as you give up exercising and stop taking care of yourself, everything goes down the pan.

So if you’ve just started singing or perhaps you’ve been practicing for a while and are starting to sound o.k,  here’s a few tips that will help you on your way and keep your voice sounding great. I’ll also be mentioning a few things to avoid to ensure you don’t croak like a frog throughout your performance.

…

Warm Up

First and most importantly, every singer always needs a good vocal warm up before they sing, whether practicing or getting ready to go on stage, a good warm up is vital. Many new or inexperienced artists risk doing permanent damage to their vocal chords because they either couldn’t be bothered, or are unaware of the importance of doing a warm up before they sing.

It’s simple – your vocal chords are muscles and need to be treated with respect to avoid damage. Damaging them can be extremely painful and even a minor injury to your vocal chords may stop you singing for weeks or months at a time, and in bad cases, may stop you singing altogether.

It’s a common problem and one I’ve spoken about in my Singing Success review. Either through laziness or ignorance, many artists, amateurs and professionals spend years performing without an effective warm up routine.  Sooner or later problems start to appear.

After a prolonged period of time, abuse can cause nodules to form on the vocal chords due to the excessive strain of hammering your voice without properly warming up.

If you were an athlete, you wouldn’t consider running a race without warming up first. You might get away with it for a while but sooner or later you are likely to pull a leg muscle or do permanent damage to your ligaments. The same goes for your throat and vocal chords.

As you develop as a singer, you will find your vocal workload greatly increases as you tackle larger sets and more difficult songs. A larger workload, practiced more often, means you risk serious strain by not preparing yourself properly.

You should spend at least ten minutes warming your voice up before any performance. It should be more like fifteen to twenty minutes, but sometimes you just don’t have the opportunity to do this, so just do as much as you can at the time.

Warm up’s can be pretty embarrassing if done in public and you don’t want to be making all those weird noises when you are setting up your equipment before a gig, so if you’re preparing for a public performance, make sure you get your warm up done in private or somewhere more appropriate beforehand.

Don’t Smoke

A lot of people out there who want to be singers smoke, including myself, and for most people quitting is not easy – quitting for good that is.

Years ago we used to be bombarded with images of pop stars on TV and video smoking all the time, and although the impression of smoking being cool has declined somewhat in the last few years with people being more aware of the dangers of smoking, government health drives, bans on advertising and smoking in public, not only does the addiction for those who are hooked remain, but the image implanted in our heads over the last few decades – of the lifestyles that bad ass rockers and pop superstars lead, still makes many of us think it’s possible to smoke like a trooper and be a great singer at the same time.

Perhaps it is possible to smoke like a trooper and still be a great singer, but that depends on what you call a great singer.

A lot of famous pop/rock stars are considered by the general public to be great singers, but actually, many aren’t quite as good as they may seem.

Many successful artists have relatively limited vocal ranges and tend to stay within the same octave or two throughout their careers.

I’m not saying that having a limited vocal range makes you a bad singer. Even with a very limited range you can be an excellent singer as long as you make the very most of what you have and use your voice to it’s full potential – adding character and expression to your performances .

What I’m saying, is that an artist may create good songs and be very successful, but just because they have a few hit records, doesn’t make them great singers.

If the music you sing only encompasses tracks that stay within a limited vocal range, then you may be able to get away with being a big smoker get a good response without having to limit your intake, but if you want to be a versatile singer and start hitting notes all over the place, then you must keep your throat in top condition and the one habit that will massively limit your abilities is smoking.

…

I’m pretty sure it doesn’t matter how much Liam Gallagher drinks and smokes the night before a gig, it probably doesn’t make the slightest difference to his singing ability as his songs don’t require a huge amount of skill to perform. All he needs is that raw vocal tone he belts down the mic. In fact for his voice, smoking and taking drugs probably helps.

Rappers are also fortunate in what they can get away with as the style of music doesn’t usually require the artist to have a voice like an angel. Apart from a few choice chorus notes, most rap songs involve spoken rhythmic wordage with a bit of a melody thrown in somewhere in the middle, so again you don’t need a 4 octave range to rap.

But if someone like Mariah Carey went out and smoked a pack of fags the night before a gig, without a doubt she’d have no chance at all of hitting the supreme high notes she performs in many of her songs. As a world class singer, her songs require such a high standard of perfection to perform that nothing less than a voice box in perfect condition will do.

Know Your Limits

I have a reasonable awareness of my limits and know that I can give my throat a certain amount of abuse and still get away with performing to a degree. But if I smoke more than a few cigs in an evening and maybe add a few pints on top, I have hell’s own trouble hitting the killer notes in my set the next day. I can still get away with most of the the easy songs, but as soon as something vocally challenging arises, I’m in trouble.

Even the songs I can get away with are much more of a struggle to perform.

You try singing the last few notes of Muse’s Plug in Baby after a heavy night on the cigs… you won’t stand much of a chance.

…

We never realise how difficult a song is to sing, or how good the original singer really is, until you try and perform it yourself.

…

Stop

It doesn’t matter how good or bad you are, stop smoking and your voice will improve.

Even if you can’t stop or don’t want to, cut down to one or two a day. This can be done over a period of time and soon you will become conscious that every time you have a cigarette, it will affect your voice – making it harder to hit the notes you strive for every time you practice.

Stopping smoking seriously reduces the chances of developing lung cancer, throat cancer, mouth cancer, gum disease, heart attacks, strokes and emphysema. Keeping on top of your addiction will keep you feeling healthier and help you conquer any vocal challenge that arises.

Save yourself from yellow teeth, smelly breath, premature ageing and countless throat infections, colds and flu you might catch throughout the year. It is well known that cigarettes practically nullify all the vitamin C supplies in your body every time you have a fag. How can your body fight infection under these conditions.

Stopping smoking has countless other health benefits as well as well as saving you a shed load of money, but even more importantly, ditching the cigs will stop you from polluting those around you, including your loved ones and children.

It’s also a sad fact that every cig you have takes you one step closer to death.

If you can’t hack it, get nicotine patches, gum or an electronic cigarette, they are pretty good nowadays.

Alcohol

Alcohol is almost as bad as smoking, so the same goes as above. If you can’t give up, then try to cut down.

Often, drinking and smoking will go together, so if you go out and get drunk, you will probably smoke a whole lot more and increase the damage being done to your throat. Even if you don’t smoke when you are out drinking, the strain you put on your voice, shouting over the local band or dance floor to your mates until three in the morning, won’t help your cause.

The chances are, next day you’ll be so hung over you won’t be able to practice singing. Your voice will be knackered and you’ll have a stinking headache, ultimately reducing the time you can spend practicing, lessening your vocal ability.

…

You don’t have to ruin your social life completely, but just tone it down a bit. You often hear singers on TV saying they have to behave themselves when preparing for a performance and have to leave parties early to gig the next day. It’s a drag, but the best singers out there keep the partying to a minimum and save everything they’ve got for a great performance. That’s the real prize, getting a buzz out of your performance, not a few beers and a sore head.

Guitarists might get away with having a bender the night before a gig if they can still hold down a good rhythm or tricky solo, but a singer’s voice is not so forgiving.

Look at the state one of our nation’s favourites, Amy Winehouse used to get herself in when she’d go on stage or live TV after a heavy session the night before. She would try and wing it because she had a gruffy voice anyway, but you could hear it straining and croaking under the stress she was putting it through to hit the notes, rendering her unique, God given voice that led her so successfully to fame, sounding awful.

Sadly, because of her personal problems with drugs and alcohol she would often be intoxicated on stage and she used to regularly embarrass herself in front of huge audiences and national TV, doing herself no favours at all.

Mind you…because of her character it was almost expected and she would pretty much get away with it. Some stars just have the popularity and charisma to get away with anything and in her prime she had great success and didn’t give a damn anyway. So perhaps some people can get away with it, but most of us can’t.

If you want a good strong, clear voice and a great vocal range, cut the alcohol and cigarettes. If you want to yell down the mike like a strangled cat, keep partying.

Hydration – Water

One of the most important rules a  singer should adhere to is to keep fully hydrated at all times. The best drink in the world is simply – water.

If you are one of these people who never drink water on it’s own without some sort of squash or cordial involved, then you need to start right now and get into it. People who don’t drink water often comment that it makes their throat ‘bitty’ and I used to think just the same.

When you start drinking plain water, it can have an effect on your throat and may taste very bland for a couple of days, but very quickly your throat will adapt and that sense of ‘bittiness’ will soon disappear. You will really start to appreciate the simplicity of life’s greatest drink and will notice the benefit that being well hydrated has on your singing. Your body will have all the water it needs to keep it’s organs and muscles working well and efficiently. As well as keeping your vocal chords fully lubricated you will find you have a greater sense of well being, general alertness and more energy than before.

Tea – Coffee – Caffeine.

Coffee and tea are diuretics and both contain caffeine. Caffeine has a negative effect on the vocal chords, dehydrates your throat and stimulates the production of phlegm, especially coffee. Try not to drink either just before you sing. If you do, make it a couple of hours before your session.

Better still, avoid these altogether and drink plenty of  herbal teas or decaffeinated tea.

Many singers advocate drinks such as decaf tea with hot lemon and ginger (not too hot to avoid burning the vocal chords), hot lemon and honey, hot water and lemon etc.

Try some combinations out yourself and see which ones work well for you.

…

Green Tea

Green tea is amazing stuff, bursting with antioxidants that help fight illness, ageing and cancer, mentioning just a few of it’s many health benefits. Unfortunately most green teas contain caffeine. However, the caffeine in green tea works in a different way than coffee as the tea also contains tannin and L-theanine which together have a calming affect on the body and allow the caffeine to be absorbed more slowly.

The benefits of drinking green tea greatly outweigh any issues regarding the caffeine content and most green teas contain half the caffeine content of coffee anyway, so I would advise drinking green tea regularly but obviously not just before a gig.

…

Avoid fizzy drinks such as cola and energy drinks as they are crammed with caffeine and very addictive. You might get a quick buzz out of them but they will drop you like a stone soon after, leaving you feeling low and lethargic, needing more.

Dairy Products & Chocolate

Dairy products like milk and cheese coat your throat and the mucus membrane of your vocal chords, affecting your voice and making it much harder to sing. Make sure you stay away from them for a few hours before you sing.

Chocolate is another no go. Coating your vocal chords in chocolate before a performance is a bad idea and will close your throat, definitely affecting your ability to sing. Try to avoid until after your set.

Spices & Curry

Spicy foods inflame the vocal tract and will screw up your voice. Avoid

Peanuts & Bitty Foods

Try to avoid bitty foods like nuts or oats before practice or performance. They can easily leave remanence, causing irritation from small pieces left in the throat.

Even after brushing your teeth or swilling your mouth out with water, small remanence can easily remain undetected, finding their way down your throat just when you are in full swing, leaving you hacking for breath in the middle of the song.

Avoid Singing Loudly or For Long Periods of Time

Being a busker means I am often forced to elevate my voice so it can be heard over a busy street for long periods of time. Even when I’ve been training well and busking regularly, playing daily street sessions for at least three or four hours a time, even once you achieve a rock solid vocal ability and think you can sing for as long as you like and as loud as you want, I have often returned home with a strained throat thinking ‘ Oh no ! – I’ve over done it, Again !’.

It could be for a number of reasons …because the background noise of the street was too loud, or the cash was rolling in nicely on a good pitch and I wanted to make the most of it, or because I was having a great day and was getting a real buzz out of performing – pushing my vocals too loud and to their limit. Or it maybe simply because I wanted to get my practice done, and get as many songs out as possible.

When you’re having a great time belting out songs and feeling good about your singing, it’s hard to stop and think ‘Hang on, this is fun but am I doing damage to myself ?’. It’s no different than getting down the gym and overdoing it, pulling a muscle or becoming obsessed with playing the guitar and knackering your tendons from too much shredding.

Enough is Enough

You need to know when enough is enough. Save it for tomorrow, rest your voice and allow yourself to keep singing in the long run, rather than over doing it now, and knackering your voice for the next two months.

Take Regular Breaks When Practicing

Taking a 20 minute break every hour or two will give your voice the chance to rest and recuperate. Regular breaks will ultimately allow you to practice for longer, build stamina and lessen the chance of over straining.

When I’m busking, I find it hard to take a break and stop for 20 minutes, but taking time out to relax, adjust, stretch your neck, back, arm and finger muscles and give the set up a tweak will definitely pay off. If you think you can improve your pitch, move to a new one and start a new case. Relaxing and stretching for a bit will ultimately improve your chances of not sustaining an injury in the long term.

You wouldn’t spend two hours down the gym without resting every now and then and allowing your muscles to recuperate, so why hammer your throat muscles for two hours without a break also ?

Regular Exercise

Being fit and healthy will hugely help your ability to be happy and perform. Cardiovascular exercises like running and swimming will improve your lungs and breathing ability, enabling you to sing better. Frank Sinatra was an avid swimmer and used the breath techniques he gained from swimming to perfect his singing.

Vitamin and Mineral Supplements

Supplements provide the body with nutrients and the minerals it needs to have a healthy immune system. Taking the correct supplements, including Vitamin C, will lessen your chances of cold. Make sure you get a good base mineral supplement also.

Stress

Avoid stress. Try not to worry about things which will ultimately put you and your vocal chords under stress. Thinking about nothing but problems in your life will only bring you down. Just be happy you’re alive and keep singing as much as you can.

Consider the fact that half the world’s population live in poverty and millions of those suffer terribly on a daily basis, living in dreadful and dangerous conditions unfit for any human being – you’ll soon realise how lucky you are.

Think about those living in third world, war or disaster zones or those suffering huge loss in their lives.. then look at yourself and see what you really have to complain about.

Be a glass is half full type, not half empty and thank your lucky stars you have a decent life.

Sleep

It is important that everyone gets enough sleep. You need to recharge your batteries and missing out on sleep will eventually wear you out. Keep burning the candle at both ends and sooner or later you’ll go down with exhaustion or illness. Try and get 7 – 8 hours a night.

If you can’t manage to get enough sleep throughout the week, try and hit the sack really early at least one night a week. You’ll feel much better for it.

Water

Try to drink at least two litres of water a day. Although your body gets enough water from the food you eat, keeping yourself well hydrated will help keep your vocal chords in good condition.

Change your Set

Don’t get used to practicing just one set, no matter how difficult it is. Even if you’ve not perfected it yet, give it a break and change to something totally different every once in a while. This will keep you on your toes and give you insight into new music, inspiring new direction and also revealing weaknesses in your voice your usual set may have hidden.

Singing something completely different every now and then will keep you from getting bored and help prevent you getting stuck in that rut.

Keep Adding New Songs

Keep learning new songs. As you progress, the songs you play will undoubtedly change, eventually leading your music to find it’s own way. Make sure you play your own songs aswell. Don’t get stuck playing the same set all year.

Strive to Improve

Always try to better yourself. The more you keep singing, the better you’ll get, until you really will be a great singer.

Oral Hygiene

Clean your teeth 2 – 3 times a day, floss and upkeep them well. Clear but don’t rinse your mouth out after you have brushed your teeth. You will wash away all the protective barriers and fluorine in your toothpaste – tip from a top dentist.

Don’t Bite Your Nails

Biting your nails is a bad habit, give it up. Eating the dirt that has collected under your fingertips is gross. You’re much more likely to get colds and flu if you do this. Everything you touch when you are out, every time you visit the loo, every hand you shake, every germ you come in contact with is likely to reside under your finger tips. So don’t stick it in your mouth and eat it. Ugh !

Get Used to Performing – Nerves

Regularly perform in front of a crowd. This will keep you on your toes and keep you enjoying being a musician. It doesn’t matter where. If you are not ready to gig,  go to ‘come and have a go’ nights, go busking, perform at your mates parties or offer to do a quick set at your local pub. Do anything that is going to get you used to performing and each time you put yourself in the firing line, you’ll get more used to dealing with those nerves.

Stretching and Massage

Give or get your self neck, arm, finger (guitarists) and back massages regularly. This will reduce the tension and stress in all these important muscle groups before and after you gig, helping you relax and prevent injury. Learn to warm up your muscle groups using targeted stretching routines. Warming down after your performance is also just as important.

Warm Towels

Some singers like to wrap a towel around their neck for a few minutes to warm their voice up before they sing. Never tried it myself, but I’ve seen a few vocalists doing this before gigs. It could be that their vocal chords have been previously strained or are inflamed due to a sore throat or the onset of laryngitis and the towel trick is known to help sooth these conditions.

Cold Water

Don’t dowse your vocal chords in freezing cold water when you’re trying to sing. Keep your water bottle at room temperature at least. Athletes don’t take a cold shower right in the middle of their practice sessions, so don’t do this to your vocal chords.

Avoid Colds & Flu -  People – Crowds

Don’t visit people, if you know they have the flu. Use some sense. If you catch it, that’s your singing down the pan for a week at least. Spending time in crowded places for unnecessary reasons hugely increases your chances of catching a cold.

Obviously if you’re gigging in pubs and clubs you can’t avoid certain situations and I’m not suggesting you become a recluse and avoid any public place, but close contact with mates or associates who are coughing and spluttering or spending time with people who are obviously ill or have been under the weather, will not help your cause.

Having kids really brings it home, and the colds, sickness bugs and other crap they bring home from school and nursery certainly raise your awareness of the way viruses spread and affect everyone around you.

Don’t get paranoid, but just think about cuddling that baby with a drooling nose, standing next to that bloke who’s sneezing over everyone or visiting that mate who’s dying of the plague.

Sharing

Younger generations have a greater tendency to share things like drink, cigarettes, food, drugs etc. with each other and years ago I didn’t used to care about things like that either. You know what you’re doing, but you don’t give a damn and dealing with illness or colds and flu was not a problem. Give it a few years when your income or career depends on it, you’ll soon realise a bit of caution can make a big difference to your health and wealth.

Sharing is a wonderful thing and brings people closer, but having a ‘bite of that’ or going ‘two’s up’ on that fag or having a sip on your mates pint is a nice thought, but you don’t see grown adults doing it as they generally have more sense and care about their own well being a little more.

Wash Your Hands – Take Off Your Shoes

Taking off your shoes and washing your hands when you enter your house will effectively kill 90% of the germs you’ve picked up throughout the day and prevent you bringing them into your home. Why tread the dirt from the street through your home and across your living room carpet.

They say a cash machine has more germs on it than a toilet seat. What about door handles, push buttons, cash, public handle rails etc. Imagine how many public things you touch each day and how many other people with flu’s, colds and infections have been touching. A large number of the population don’t even bother washing their hands after going to the loo.

Don’t get paranoid about germs, but use your common sense when you are out and about. Alcohol hand gels are handy and help kill bacteria, but can be addictive so use them, but don’t become obsessed with them.

Allergies – Deal with Them

Make sure you deal with any allergies you may have, i.e. hay fever, smoke, cats etc.. If you’re not on top of these, your voice has no chance. A simple anti histamine tablet combined with nasal spray will usually do the trick, but if you suspect you may have an allergy, see your doctor for advice.

…

So there’s just a few things you should be aware of if you want to keep your voice in good nick.

…

If you have any other tips, feel free to post them in the comments below.

…

Other Posts of Interest

Complete Vocal Workout
Vocal Warm Up Techniques
Vocal Warm Up Scales
Vocal Products
The Importance of Vitamins & Minerals in our Daily Lives

Back Home

Most people think learning lyrics is easy. An average person will assume they [...]]]> Every now and then I get confronted with a song that has either a ridiculously long set of lyrics containing about twenty verses or one that does not make any sense at all, making it extremely difficult to learn.

Most people think learning lyrics is easy. An average person will assume they know most of the words to many of their favourite albums as they tend to sing along to them every day in the car or workplace.

The one thing I realised when I first started busking is that there’s a big difference between singing along to an accompanying album and trying to play the song on your own with nothing but your self to cue from.

Auto Cue

If a person is provided with even the slightest cue, like the first letter, sound or syllable to the start of a song line, it triggers the brains automatic recognition of the following lyrics allowing you to easily finish the sentence or verse. The brain recognises these cues so fast that it only takes a few milliseconds to register a sound from a cd to trigger your own response and help you sing along. This leads many people into the false belief that they know the song really well when in actual fact they don’t.

It’s only when you switch off the music, give them a mic and tell ‘em to sing that people realise they don’t have a clue where to start. I see this happen all the time when people offer to accompany me singing out busking or at a gig or wherever. Even with a guitar strumming the tune, they don’t know where to start or which verse comes first. If I give them one word or an accompanying half line then they’re off. Until a few seconds later when they need another cue for the next line or verse.

Even if you do know all the words in the whole song, it’s not knowing the order of the verses, choruses and middle 8′s that can stop you in your tracks.

There’s nothing worse than singing a song and getting the lyrics right but screwing up the verse order. Ninety percent of the time the audience won’t know or notice anyway, but as a singer it’s vital that you know your words and can project them with confidence.

Here’s a funny vid proving even pro’s forget their words. The guys from R.E.M. have to go out and buy their own songbooks and CD’s before going on tour just, to remember their own lyrics.

The Boring Way

There is a big difference in the the way the brain takes in information when trying to memorise things. We all know for instance that a larger percentage is taken in and absorbed by the brain when writing down a piece of information than by just reading it. The same goes for reading and listening, you are much more likely to learn a piece by reading it than just listening to it. This would lead us to believe that if we need to learn a song then the best way would be to keep writing it down, over and over again.

The problem is, it is incredibly boring and takes a lot of time out of your day. Writing out the same song more than once is really tedious and if you’ve got loads of other songs to learn or more important stuff to do, you don’t want to be stuck in a room pushing a pen or sat in the same place listening for hours on end.

It’s even worse if the song doesn’t make sense or is incredibly long winded. By the time you’ve gone through it a couple of times, you’ll be so racked off you’ll probably give up.

The only way to learn a song off by heart with the minimum of effort is to ram it down your own throat and burn it into your brain so badly that you’ll remember it for the rest of your life without even trying. Here’s my fool proof method.

How to Memorise a Song for Life with Minimum Effort

The first thing you need is an MP3 player and some earphones. You don’t need an expensive one like an ipod, just get the smallest, cheapest one you can find and a pair of cheap 99p budget earphones from the nearest supermarket. It doesn’t matter about the sound quality or memory capacity, as long as you can hear it and it holds a few songs it will be fine and you won’t have to worry about replacing expensive equipment if you lose it.

Download the song you want to learn from the internet. You can easily buy it from iTunes or download it from one of the free music sites like Beemp3.com. If you have it on CD, stick it in your PC and rip it to an MP3 file.

Load the song onto your mp3 player along with any other songs you feel like learning in the near future.

Print or write out the lyrics on a couple of pieces of paper. You can easily find them by visiting the many online lyric sites on the net.

Sit down for ten minutes and listen to the song undisturbed, two or three times over while reading the accompanying lyrics. This will give you an initial understanding of exactly what is being said and the general construction of the song. You’ll also be able to correct any mistakes in the lyrics sheet as most of the time you’ll find they’re wrong anyway.

When you’ve done this, fold the paper up and put it in your back pocket. Make sure you keep it with you over the next couple of days.

Now get up, stick the MP3 player on repeat and get on with your life.

Intense Exposure

Over the next 48 hrs you must keep the Mp3 player by your side and on repeat at all times, constantly cycling through that same song over and over again without stopping. At work, in bed, out shopping, in the car, walking the dog, everywhere. Every possible second you are awake and can get away with it, play that damn song.

When you go to bed at night, stick your earphones in on a low volume and whack it on repeat until you crash out. You’ll wake in the night with the song still ringing in your brain. When you are out shopping or your partner is trying to talk to you, stick one earphone in and respond with the other.

Be Careful

Whatever you do, always ensure you keep your headphone volumes as low as possible to avoid damaging your hearing. Excess volume over a prolonged period of time can cause permanent damage to the eardrums leading to noise induced hearing loss or tinnitus – a permanent ringing in the ear commonly found in those who misuse mp3 players and portable music devices.

Keeping a low volume on your player will avoid damaging your hearing and getting on peoples nerves. If you can barely hear it yourself then neither can anyone else. Thousands of people each year do permanent damage to their hearing by blasting music through earphones so everyone within thirty yards can hear. Be careful or you could find yourself dealing with serious problems in the future.

Test Yourself

Every now and then, when you just can’t bear listening to the song anymore, switch off the player and try and sing it to yourself. See how far you get. If you get stuck, pull out the piece of paper with the lyrics on and give yourself a cue. Go through the song quietly in your head at every opportunity, referring to the sheet when you need it.

You will find that within a few hours you become completely obsessed with the song. Even if you can’t stand it, you will find yourself constantly thinking it, speaking it, singing it and dreaming about it. You basically live walk and sleep the song at every opportunity for two days while getting on with your normal life.

Lyric Interpretation – Association

As you get to grips with the lyrics, a great technique is to equate various lines and verses with your own interpretations of what is going on in the song. Think of imaginative scenes depicting the story that is being told as the song unfolds. It doesn’t matter how ridiculous the scenes you imagine are, it is the act of equating words with sounds and pictures in your mind that creates and strengthens new electrochemical bonds and memory paths between the cells in your brain.

These new associating images actually create physical links in the brain making the memories much stronger, more permanent and easier to retrieve.

Permanent Recall

Sights, sounds, smells and images often remind us of things long forgotten buried deep in our past memories. The links created and associated with that memory at the time were so strong that many years later a simple smell or sound can bring it all rushing back.

The power of mind association is widely used by memory masters and helps them achieve great feats of the mind like memorising packs of cards in minutes. It’s because they associate each card they pass on their journey through the deck with an imaginary journey they take in their mind. This equates cards and numbers to powerful and familiar thoughts, images and colours.

This technique is a little more advanced that I’m suggesting. You don’t necessarily have to take an imaginary journey through the whole song, but just allow your imagination to guide you through the song picking up any obvious anchor points you can equate to images in order to help you through.

Check out some of the lyrics to Can’t Stop – By the Chili’s. They are brilliant but totally absurd. A real nightmare to learn, but easily conquered using mass exposure and image association techniques. See if you can equate some of the lines to imaginative scenes you can think of yourself.

Can’t Stop

Can’t stop addicted to the shin dig
Cop top he says I’m gonna win big
Choose not a life of imitation
Distant cousin to the reservation
Defunkt the pistol that you pay for
This punk the feeling that you stay for
In time I want to be your best friend
Eastside love is living on the westend
Knock out but boy you better come to
Don’t die you know the truth is some do
Go write your message on the pavement
Burnin so bright I wonder what the wave meant
White heat is screaming in the jungle
Complete the motion if you stumble
Go ask the dust for any answers
Come back strong with 50 belly dancers

Sweetheart is bleeding in the snowcone
So smart she’s leading me to ozone
Music the great communicator
Use two sticks to make it in the nature
I’ll get you into penetration
The gender of a generation
The birth of every other nation
Worth your weight the gold of meditation
This chapters going to be a close one
Smoke rings I know your going to blow one
All on a spaceship persevering
Use my hands for everything but steering
Can’t stop the spirits when they need you
Mop tops are happy when they feed you
J. butterfly is in the treetop
Birds that blow the meaning into bebop

???

The sort of things that go through my head when singing this one are pretty bizarre I can tell you.

Once you’ve got to the point where you can recite the song faultlessly in your head with no backup or accompanying music, you’re done. You brain is fried and the song is imprinted (more like branded) in your head for good. From then on, your normal practice will keep the song fresh in your mind for years to come.

It sounds intense but in reality it is a very simple and easy way of learning absolutely any song, no matter how long or complex with the minimum of effort. To lessen the interruption to your normal life, you need to be imaginative and get at least one earphone on the go whenever you can. Monotonous tasks like cooking, exercising and work are the ideal times to fire up the mp3 player.

Learn Anything – Anywhere

This technique works for just about any method of learning. I spent a few days learning Spanish using this method a couple of years ago and most of it is still in my head.

You can use these methods to learn music theory, maths, formulas, recipes, languages or anything else. Give them a try and see how well it works.

The funny thing is, because it is so intense but still allows you the freedom to get on with your life, you will always remember exactly what you did over the couple of days you learned the song. You will remember what the piece of paper looked like, how the words and verses were written, what you were doing and how you felt.

I learned ‘From The Ritz to The Rubble’ on the motorway, checking out a van for sale half way up the country, three Travis songs rebuilding the chimneys on the roof of my Dad’s house and Outside – by Staind while fitting a new kitchen to name a few.

Give it a try and see if it works for you.

Posted 11.11.09

Back Home

For this scale we will be starting on G (3rd fret 6th string), work our way up to C (13th fret 2nd string) and back down again to G or below. Follow the exercise shown in the video and start with a gentle humming.

Major scale vocal warm up using guitar.

For this scale we will be starting on G (3rd fret 6th string), work our way up to C (13th fret 2nd string) and back down again to G or below. Follow the exercise shown in the video and start with a gentle humming.

Follow the exercises in the video and when you’ve got the hang of it repeat the process using lip rolls or tongue trills.

Check out my Vocal Warm Up Techniques page for details on how to perform lip rolls and tongue trills.

Vocal Warm Up Scales 1

Here’s the vid again.

Here’s the pdf tab for the exercise
Adobe reader is required to view this file.

Here’s the midi file and here’s the Guitar pro exercise file for those who use Guitar Pro.

Click here for the tabs for exercise 2 and 3 or take a look at our vocal warm up scales page.

Back Home

Check out my Vocal Warm Up Techniques page for details on how to hum and perform lip rolls and tongue trills.

This second exercise uses an octave and a half scale range. This is slightly more difficult and takes a bit of concentration to get right. Match your fingers with your vocals.

Check out my Vocal Warm Up Techniques page for details on how to hum and perform lip rolls and tongue trills.

Here is the video for the tab above.

Here is the guitar pro file, the pdf for the exercise, and the midi.

Click here for the tabs for exercise 1 and 3 or take a look at our vocal warm up scales page.

Back Home

This will give [...]]]> This 3rd exercise is the most awkward until you get used to it. The scale spans one and a half octaves and 5 strings and as you move up the fret board and across the strings the fingering patterns change as the scale ascends and descends with your vocals.

This will give your voice, fingers and brain a good work out while you are trying to follow the notes up the scale.

Check out my Vocal Warm Up Techniques page for details on how to hum and perform lip rolls and tongue trills.

Here is the video for the tab above.

Here’s the pdf, guitar pro file and the midi.

Click here for the tabs for exercise 1 and 2 or take a look at our vocal warm up scales page.

Back Home

Go through your hums, [...]]]> Here we have our videos section. If you are too lazy to look for them or read the articles and lessons you’ll find all this sites own vids from various pages here in one place. Click the links to view the full articles.

Guitar and Vocal Warm Up Scales

Go through your hums, lip roll, tongue trill, vowels etc. whilst going through these simple scale routines.

Easy

Slightly Harder

Moderately Difficult

Once you’ve gone through these exercises a few times using humming, lip rolls or tongue trills, cycle through your vowel sounds such as ‘aaahh, ooohh, eeee, aaaaayy or even mum mum mum’ etc using the scales. Remember to vary your technique and scale patterns.

Try extending the length of each exercise by playing patterns two or three times over on each step. Hold the high notes for a count of 10 and practice vibratos and following your own vocal runs.

For tabs, midi’s, guitar pro files and pdf’s for exercises 1, 2 and 3, click these links.

Finger Picking Guitar Lesson

Pink Floyd – Is There Anybody Out There ?

Start with your left hand in the Am chord position, and move one finger at a time thinking about your next move as your right hand carefully cycles through the picking pattern.

More vids coming soon.

Back Home

I used to get frustrated when going into practice as doing my vocal warm [...]]]> The problem with being a singer and a guitarist is you have to do two jobs at once. This means that before you practice or perform, you have to warm up both your fingers and your vocal chords.

I used to get frustrated when going into practice as doing my vocal warm up exercises to my singing cd would generally mean I had to hang around for twenty minutes while going through my trills and scales before I could start playing, effectively stopping my guitar practice before it had even begun.

You can’t strum your guitar whilst listening to your warm up exercises because an acoustic makes a lot of noise and you can’t hear them properly. When you have a lot of music to get through, spending twenty minutes warming up vocals before you even start a three hour practice session is a real pain and just adds more time to your daily routine.

Here’s a couple of brilliant ways of doing both at once.

Warm Up Scales for Singers and Guitarists

Major scale vocal warm up.

For this scale we will be starting on G (3rd fret 6th string), work our way up to C (13th fret 2nd string) and back down again to G or below. Follow the exercise shown in the video and start with a gentle humming.

Follow the exercises in the video and when you’ve got the hang of it repeat the process using lip rolls or tongue trills.

Check out my Vocal Warm Up Techniques page for details on how to perform lip rolls and tongue trills.

Vocal Warm Up Scales 1

Here’s the tab page for the exercise and the pdf tab.
Adobe reader is required to view this file.

Here’s the midi file and the Guitar pro exercise file for those who use Guitar Pro.

This second exercise uses an octave and a half scale range. This is slightly more difficult and takes a bit of concentration to get right. Match your fingers with your vocals.

Vocal Warm Up Scales 2

Here is the tab page for the exercise, the guitar pro file,the pdf file and the midi.

Vocal Warm Up Scales 3

The 3rd exercise is the most awkward until you get used to it. The scale spans one and a half octaves and 5 strings and as you move up the fret board and across the strings the fingering patterns change as the scale ascends and descends with your vocals.

This will give your voice, fingers and brain a good work out while you are trying to follow the notes up the scale.

Here’s the tab sheet, pdf, guitar pro file and the midi.

Once you have completed these exercises two or three times using humming, lip rolls or tongue trills, go through your vowel sounds such as ‘aaahh, ooohh, eeee, aaaaayy and mum mum mum’ etc using these scales but remember to vary your technique and scale patterns.

Try extending the length of each exercise by playing the note patterns two or three times over on each step or holding the high notes for a count of 10 and practicing your vibrato whilst holding the note.

Feel free to increase or decrease the range to your own standards. Go as high as you like or as low as you can manage, but DON’T strain your voice or push your vocal chords too much. Practice these scales daily and your range will gradually increase in time. Straining your voice to hit notes you are not capable of will damage your vocal chords and hinder your progress. If you feel any pain in your throat when practice your singing then you are pushing too hard and risking injury. Just relax and take it easy.

Check out this sites total vocal workout page and follow the techniques shown in the video sound tracks. Once you’ve learned how to use scales in the correct manner you can play them with your guitar using these exercises anytime you like.

As this site progresses I will post more exercises and techniques for you to try out.

In the mean time, if you are serious about your singing, then you should seriously consider purchasing a professional singing tutorial cd package.

Check out my review on Brett Manning’s Singing Success if you would like some in depth professional vocal training without the hassle of weekly lessons.

Posted 10.10.08
Revised 18.02.09

Other Posts of Interest

Complete Vocal Workout
Vocal Warm Up Techniques
Vocal Health
Vocal Products

Back Home